Are floating cities a remedy for over-crowded coastal cities, land subsidence and rising sea level?


As this documentary from German TV from 2022 clearly shows, designing floating cities is one thing, wanting to live there is quite another. I guess instinctively we all prefer “stability over floating flexibility”, as director Kristin Siebert says, land over sea, grounded houses over floating houses. As desirable living by the sea might be, living on it, is a different matter.


The film does a fine job connecting and juxtaposing places and communities from the global south and global north, sharing similar fate and trying out similar solutions.


If floating cities are a real future option for communities challenged by climate change like Malé, the capital of the Maledives, we need to look at the socio-cultural and emotional aspects of what makes people feel at home. And that might be essentially the same in the Pacific as in Germany or Holland. Breaking with a culture of habitation of several thousand years is no easy task!

(thanks to Janina Kriszeo for the lead!)

Click on image for video link!

Interview with Sumet Jumsai

The famous Thai architect and artist Sumet Jumsai speaks about solutions for building houses with and not against nature. Here is an excerpt:

Our built environment evolved with nature, not against it. Our national trait is marked by resilience, inventiveness, flexibility and ad hoc programmes to problem-solving. In the central plain, it meant living in amphibious homes or houses on stilts. This is a cultural heritage that has been ignored at a cost.

Please read the full article here.

The case for culture

In a very nice, comprehensive and extensive article, Dutch author Thijs Weststeijn, describes the role of culture in forming a climate conscience. The article not only describes the threats to cultural heritage the world over, particularly flooding, and the efforts to save it, but he also makes a case for using cultural heritage to create awareness and ultimately climate action. Here are two short quotes:

“Perhaps an awareness that the building blocks of one’s own civilisation are under threat might mobilise new groups, for whom the disappearing of coral reefs, say, remains too abstract or remote. Behavioural scientists point out that, when confronted with overwhelming amounts of scientific data, such as that continuously produced by climatologists, people actually become less likely to take action (see Kari Norgaard’s book Living in Denial: Climate Change, Emotions, and Everyday Life, 2011). Instead, people have to be affected on a deep emotional, psychological and spiritual level, which suggests that the layered sensations we experience in encounters with heritage – historical connection, aesthetic appreciation, and solastalgia – might motivate people in new ways.”

“A focus on cultural heritage also offers new perspectives on human agency in the face of the climate crisis. This heritage has, after all, been made by humans and so by human hands we should be able to save it. Besides, historic heritage, while transcending the lifespan of one or more human generations, is less intractable to us than the ‘deep time’ associated with the evolution and extinction of coral reefs and other endangered creatures.”

Weststeijn also sketches future scenarios for cities and cultural sites in the following excerpt:

“One can imagine the partially flooded centres of VeniceHoi An or Miami becoming particularly attractive tourist destinations for the duration of their disappearing (in a state of ‘dark euphoria’ described by the futurist Bruce Sterling in 2009), before turning into a diver’s paradise. And perhaps from the perspective of ‘deep time’ the man-made polder landscape was never a feasible project to begin with, and Dutch hydrologists might eventually, with a sigh of relief, surrender their lands back to the sea. Such visions are not necessarily long-term scenarios since, now, even the possibility of handing our heritage to the next generation appears impossible.”

Divide the Seas!


To counter the global sea level rise, several initiatives have formed to block seas off from the global water flow. The idea behind it: If you control the global water flow, you could control the sea level locally without having to tackle the problem globally. Of course, from a political point of view, this is a case of eco-protectionism taken to the next level. It would create an unprecedented case of separatism, a whole area shutting itself off from global interdependency that is essential to what human culture is – an interdependent global network.

About these plans, one scientist from the Royal Netherlands Institute for Sea Research said: “See this as a warning. What we’re saying is: Here’s a plan, a plan we don’t want. But if we end up needing it, then it’s technically and financially feasible.”

See the article from the New York Times from 2020.


Olphaert den Otter: Beauty without well-being

One of many images from the “World Stress Painting” series Dutch visual artist Olphaer den Otter began in 2019. He calls it: “A never-ending series that lends visual interpretation to the four elements, made by human intervention into catastrophes. A catalogue of beauty without well-being.”

Netherlands; 21. Century; Christian; Painting

The 1953 flood in the North Sea

The events on January 31. 1953 constitutes one of the moste severe floodings in the 20. Century in Europe. More than 1.800 lives were lost in the Netherlands, more than 300 in England and Schottland and 28 died in Belgium. As a direct result of the catastrophic events England began the development of the Thames Barrier and the Netherlands of the Delta Works. The flood has become the source of many musical compositions, books and movies.

UK, Netherlands, Belgium; 20. Century; Flood;

All Saints Flood

The All Saints’ Flood (Dutch: Allerheiligenvloed) of 1570 was a disaster which happened on November 1, on the Dutch and German coast. Affected cities include Egmond, Bergen op Zoom and Saeftinghe. The print by Hans Moser depicts the Scheldt river overflowing.

According to a popular legend, the bells of the church of the city Saeftinghe can be heard calling for help on foggy days.

Netherlands; 16. Century; Christian; Print; City: Saeftinghe

The little Hero of Haarlem

Apparently an anglo-american invention, this story about the boy who rescues a Dutch city by sticking his finger in a hole in the dyke, has been republished in various versions since the mid 1800s . This is the earliest published version of the story and it starts with the words, ” A long way off, across the ocean, there is a little country where the ground is lower than the level of the sea…”

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