Colonial and native Tall Tales

Extraordinary natural occurrences and appearances were traditionally explained in myths, legends or so called Tall Tales. They fall in the larger genre of folklore and different from myths or legends they are relatively young or have known or contemporary authorship. An example from European Antiquity would be the “Alexander Romances“, fictitious accounts of the life of Alexander the Great (356 – 323 BCE) that exist in over 100 known versions and several languages. In the USA a popular figure of Tall Tales is the giant Paul Bunyan. Tales about Paul Bunyan first appeared in the mid 19. Century and include among others explanations for the existence of the Grand Canyon and Minnesota’s Thousand Lakes.

In a facebook post I recently came across this humorous first nation version of a Paul Bunyan tales. It’s a great example how natural science, political satire and ancient mythology intersect. And it also shows how closely connected and intertwined the folklore of US-American white settlers and the folklore of first nations in the Americas is.

Believe it or not, us Ojibwe also have a story about Paul Bunyan. He came to the area known as Red Lake and tried his de-forestation BS, but Nanaboozhoo – The Greatest Ojibwe who ever lived – obviously wasn’t having none of that. They got into a fight that lasted 3 days, and finally our hero picked up a giant walleye and slapped the outlander silly with it. Paul got knocked on his ass in a mud puddle, so hard it left an imprint of his buttcheeks there in the wet ground…that’s why the lake is shaped the way it is and why we were able to keep our forest.
You’ll never hear this story in a book, but that’s basically how I heard it from my father when I was young – after coming home from kindergarten in Bemidj (Paul’s favorite town, mwahaha!) and talking about him.
That’s the story behind the Paul/Babe & Nanaboozhoo statues in that town. This used to be a sign at the rez line, I remember the chimooks didn’t like it and kept cutting it down. But the story lives on, and now you know.

Material and spiritual barriers

Sculpture of fish god from Lepenski Vir, likely to have been part of the people’s spiritual responses to flooding. Credit: Mickey Mystique/Wikimedia Commons

In a beautiful article from 2019, Patrick Nunn gives a couple of examples for protection architecture that serve both material and spiritual purposes. I would argue, that this is the case for any protection structure also today, at least if it is visible. The interesting question here is not, whether a spiritual barrier was or is working today, but rather what functions it fulfills for the well being of the community and thus its protection in a broader sense.

Here are some excerpts with examples from Brittany (France), Serbia and the UK:

“Take the stone lines at Carnac, in Brittany, some of which extend for kilometres and involve thousands ofmenhirs, once regarded as boundary markers or memorials to fallen warriors. The idea of Serge Cassen that these stone lines represent “a cognitive barrier” between the physical and metaphysical worlds intended to halt the disastrous impacts of rising sea level in the Gulf of Morbihan more than 6.000 years ago is in keeping with what we are learning elsewhere.

“Neatly arranged deposits of once-valuable objects such as stone tools, even human remains, may have been intentionally created as votive offerings to divinities to stop the ocean’s rise. Cemeteries may have been intentionally situated on coasts, symbolically stabilising them in the minds of local peoples. Sandstone sculptures of fish gods from Lepenski Vir inSerbia may have been totems intended to prevent inundation.”

“Even physical barriers, long recognised as useless against the encroaching ocean, may have become symbolic; an example of wooden structures from Flag Fen near Peterborough in the UK was interpreted in this way by Francis Pryor.”

Power and disaster

In Greek and Roman Antiquity extreme weather events and natural disasters like droughts, earthquakes and floods were a frequent occurrence. They also offered important stages for the display of political power. Political leaders would rush to the occasion to help the population out of their hardship and make sure that other powers and posterity notice. In fact, according to historian Holger Sonnabend, political power was recognized mainly by the ability to help and rebuild. This was even sometimes used by suffering cities to get as much support as possible from rivaling politicians.

Accompanying the imperative of help was the public display of grieve. Compassion was expected of those in power and it was common for leaders to require historians to write up their grieve in dramatic ways. Here is an example from the 7. Century CE by Georgios Kedrenos, who describes in retrospect the expression of grieve of emperor Justinian upon the earth quake in Antiochia in May 526.

“He threw aside his crown and his imperial clothes, and, dressed in dirty rags, wept for several days, and even on feast days he entered the church in pitiful robes because he could not bear to put on any signs of his power.”

The educator and historian Libanius (314 – 392 CE) on the other hand wrote in an eulogy on emperor Julian that the earth itself mourned with an earth quake and several tsunamis in the Mediterranean in 365 CE the loss of this great emperor the year before.

“Earth truly has been fully sensible of her loss, and has honoured the hero by an appropriate shearing off of her tresses, shaking off, as a horse doth his rider, so many and such great cities. In Palestine several; of the Libyans all and every one. Prostrate lie the largest towns of Sicily, prostrate all of Greece save one; the fair Nicaea lies in ruins; the city, pre-eminent in beauty, totters to her fall, and has no confidence for the time to come! These are the honours paid to him by Earth, or if you choose, by Neptune himself; but on the part of the Seasons, famines and pestilences, destroying alike man and beast, just as though it were not lawful for creatures upon earth to enjoy health now that he has departed! What wonder then is it, if such being the state of things, many a one, like myself, deems it a loss not to have died before!”

(full text in english)

For the disaster of 365 in the Mediterranean see also this post.

Ammianus Marcellinus on the tsunami of 365 CE

This is the famous section from the 28. book of the “Res Gestae”, the history written by Roman historian Ammianus who lived from around 330 – 400 CE. It describes the earthquake and tsunami of July 21. 365 CE which shook the whole Mediterranean. The scene described by Ammianus is most likely set at the coast of Sicily. As the author mentions, areas as far as the Egyptian shore were affected by tsunamis resulting from the earthquake which had its epicenter near Crete. The city of Alexandria was heavily destroyed and the event was publicly remembered in the city for at least a hundred years as the “Day of Fear”. As Egyptian researcher Yasmine Hussein explained to me, it takes less than 40 minutes for a tsunami from Crete to arrive in Alexandria.

“For a little after daybreak, preceded by heavy and repeated thunder and lightning, the whole of the firm and solid earth was shaken and trembled, the sea with its rolling waves was driven back and withdrew from the land, so that in the abyss of the deep thus revealed men saw many kinds of sea-creatures stuck fast in the slime; and vast mountains and deep valleys, which Nature, the creator, had hidden in the unplumbed depths, then, as one might well believe, first saw the beams of the sun.

Hence, many ships were stranded as if on dry land, and since many men roamed about without fear in the little that remained of the waters, to gather fish and similar things, with their hands, the roaring sea, resenting, as it were, this forced retreat, rose in its turn; and over the boiling shoals it dashed mightily upon islands and broad stretches of the mainland, and levelled innumerable buildings in the cities and where else they were found; so that amid the mad discord of the elements the altered face of the earth revealed marvellous sights.

For the great mass of waters, returning when it was least expected, killed many thousands of men by drowning; and by the swift recoil of the eddying tides a number of ships, after the swelling of the wet element subsided, were seen to have foundered, and lifeless bodies of shipwrecked persons lay floating on their backs or on their faces. Other great ships, driven by the mad blasts, landed on the tops of buildings (as happened at Alexandria), and some were driven almost two miles inland, like a Laconian ship which I myself in passing that way saw near the town of Mothone, yawning, apart through long decay.”

Original online source.

Thanks to Holger Sonnabend for the lead!

River as a landscape – Nilotic landscapes

The “Palestrina Mosaic” or “Nile mosaic of Palestrina”, a town near Italy’s capital Rome, is a late Hellenistic floor mosaic depicting the Nile in its passage from the Blue Nile to the Mediterranean.

Around 100 BCE, Nile landscapes were quite a fashion in Roman art. In fact, wikipedia has a whole article on “Nilotic landscapes” as an art subgenre of its own. The allure of the Nile and it’s natural and social surrounding must have been so great across the Mediterranean world, that from Ancient Egypt to the Minoans (2.000 BCE), the Greeks (500 BCE), the Romans (until the 7. Century CE) and into the Renaissance in the 16. Century, Nile landscapes were a popular motive in painting as well as mosaics and tapestry.

The Palestrina mosaic shows beautifully how water, land, vegetation and social life were interconnected in the Egyptian societies along the Nile. It’s a fluid, constantly changing and evolving concept of landscape and of society, I find very inspirational.

Thunderbird and Whale

“Throughout Cascadia (southern Canadian and northern US-American west coast), earth shaking and/or tsunamilike effects are frequently described in stories about the acts and personalities of supernatural beings, often in the guise of animals. Many stories from western Vancouver Island and northern Washington tell of a struggle between Thunderbird and Whale, and throughout Cascadia stories about these figures frequently include explicit mention or visual imagery suggesting shaking and/or tsunamilike effects.

Alert Bay; a Thunderbird and Whale painted on the front of the house of Kwakwaka’ wakw Chief Tlah go glas (Malin 1999). Photo taken by Richard Maynard, 1873, print available from Vancouver Museum, 23.

Thunderbird and Whale are beings of supernatural size and power. A story from Vancouver Island says that all creation rests on the back of a mammoth whale, and that Thunderbird causes thunder by moving even a feather and carries a large lake on his back from which water pours in thunderstorms.

Shaking and ocean surges can be inferred from the story of Thunderbird driving his talons deeply into Whale’s back, and Whale diving and dragging the struggling Thunderbird to the bottom of the ocean (other versions have Thunderbird conquering Whale). Shaking is implied by imagery: Thunderbird lifts the massive Whale into the air and drops him on the land surface.

The struggle between Thunderbird and Whale is unique to the Cascadia coast and appears in stories from Vancouver Island to northern Oregon. From central Oregon south, thunder or whale figures appear individually in stories describing earthquake or tsunami themes. The central figures are variously identified as Thunder, Thunderbird, or bird and Whale, fish, or sea monster. In northern California, one tribe has an “Earthquake” figure with “Thunder” as his companion. Stories from Puget Sound and eastern Washington also use these motifs in conjunction with descriptions of earthquake effects.

Thunderbird and Whale stories are part of a systematic oral tradition that used symbolism and mnemonic keys to condense and present information in a format that could be remembered and retold for generations.”

excerpt from Ruth S. Ludwin et al.: “Dating the 1700 Cascadia Earthquake: Great Coastal Earthquakes in Native Stories”

full text: https://www.researchgate.net/publication/252069651_Dating_the_1700_Cascadia_Earthquake_Great_Coastal_Earthquakes_in_Native_Stories

Sunken Lanka

From an article by Patrick Harrigan in the Colombo Sunday Times in 1989:

“One example of a recurrent storytelling motif that appears and re-appears under various guises is that of characters or even whole kingdoms that are said to be ‘sunken‘ or gone ‘underground’ and which may periodically re-surface only to disappear again. Such stories are known the world over, or course, but in Lanka they have been developed into a fine art.

The ‘original’ Lanka is said to be mostly submerged, like an iceberg. In remote antiquity, we are told, Lanka or Lemuria as some call it was a continent that was home to brilliant civilization of exceptional spiritual vitality, but which later catastrophically sank beneath the waters except for the small portion that is Sri Lanka today.

Ptolemy of Alexandria, the 2nd Century AD ‘Father of Modern Geography’, and other ancient geographers consistently reckoned Lanka or Taprobane of their time as being many times greater than the island known to geographers today. Was it really so, or was Taprobane larger only in the imagination of those who saw it or heard of it?”

see full article here.

The serpent disliked the weight upon his head

“At the beginning of time, the surface of the Earth was primeval ocean where this great serpent swam or lay. The daughter of the highest deity (who dwelt in the heavens and had birds as servants) came down from the upper realm and spread a handful of earth to form the world. The serpent, however, disliked the weight upon his head, and, turning over, caused this newly made world to be engulfed by the sea.”

A folktale from Indonesia.

from: Dixon, R. B. Oceanic Mythology, Cooper Square Publishers, New York. (1916)

http://www.sacred-texts.com/pac/om/om16.htm

Frazer: The flood myth

It might be time for a clarification. Since flood myths play quite a big role in cristian creationist ideology and since there is a lot of material online on the subject hosted on creatonist propaganda websites, I feel I need to distance myself from the creationist idoelogy once and for all. I am arguing in this blog that mythology and folklore are aesthetic reflections of natural events like tsunamis, high tides or other extreme weather phenomena. In othe words, most myths are most likely creative renditions of lived experience. This does however not mean that myths are true or – for that matter – that the bible is right. In fact I am opposed to any creationist ideology, particularly of the US-American Christian ultra-right, and fundamentally opposed to the idea of founding ethical codes of conduct on religious authority.

Having said that much, here is an online source of a chapter from Sir James George Frazer‘s book “Folk-Lore in the Old Testament” from 1918. (On a creationist website…)

The Scotish scientist Frazer is one of the founding fathers of anthropology and his study “The Golden Bough” (1928) became one of the most influential and popular texts in anthropology.

This is the section from “Folk-Lore in the Old Testament” on the flood myth. In it he gives a very detailed account of several flood myths from all continents:

https://creationism.org/books/FrazerFolkloreOT/FrazerFolkloreOT_4.htm

Rebuilding Mankind out of rocks

In the Greek myth of Decalion and Pyrrha, the couple recreates mankind after the universal deluge by throwing rocks over their shoulders to let them grow into men and women. Why rocks? And why over their shoulders? Is this how a community, a city is rebuilt?
Ovid concludes in his Metamorphosis that mankind – the second one, so to say – is hard and enduring becasue it is made out of rock.

Painting by Domenico Beccafumi from the 16. Century

Italy; 16. Century; 1. Century AD; Pagan; Painting; Text; Myth