The Day After Tomorrow (2004)

Like no other movie Roland Emmerich’s blockbuster made extensive use of the iconology of cities, and most of all of the most iconic of them all: New York!


In a very clever way, the advertisment company also adopted this strategy to various localities, asking the local audiences, “Where will you be?” Here is the ad for the Australian release:

Thomas Cole: The Course of Empire (1833)

English-American painter Thomas Cole (1801 – 1848) created a series of five images depicting the rise and the destruction of an imaginary coastal city. The series is entitled “The Course of Empire”. Above, the fourth painting depicts the catastrophy and destruction of the city. Cole imagined here a junction of various man made and natural disasters: Insurgence, war, fires, storms and a flood.

In the final, fifth image the scene is set several decades after the destruction. Here nature has reclaimed the urban landscape and there is a peaceful, maybe even idyllic calm to the scene. From today’s point of view, this seems like an environmentalist comment on our current debates.

Flooding in Guanxi, China

Flooding in Guangxi. Images provided by Damien Manspeaker (@too_much_yogurt/Instagram)

Neromanna – A film about a sunken community

Athens based artist collective Latent Community produced this wonderful film about the story of Kallio in Fokida, Greece, a village that was expropriated in 1969 and was covered in 1981 by the waters of the artificial lake created by the Mornos Dam for use as a reservoir for the city of Athens. The lake has been the main source of water for the Greek capital ever since. The community got dispersed, many of the people of Kallio now living in Athens themselves.

I was lucky to meet Latent Community in their studio in Athens and discuss the impact of flooding on the collective psyche of a community and the political implications of Athens incessant thirst for fresh water.