The case for culture

In a very nice, comprehensive and extensive article, Dutch author Thijs Weststeijn, describes the role of culture in forming a climate conscience. The article not only describes the threats to cultural heritage the world over, particularly flooding, and the efforts to save it, but he also makes a case for using cultural heritage to create awareness and ultimately climate action. Here are two short quotes:

“Perhaps an awareness that the building blocks of one’s own civilisation are under threat might mobilise new groups, for whom the disappearing of coral reefs, say, remains too abstract or remote. Behavioural scientists point out that, when confronted with overwhelming amounts of scientific data, such as that continuously produced by climatologists, people actually become less likely to take action (see Kari Norgaard’s book Living in Denial: Climate Change, Emotions, and Everyday Life, 2011). Instead, people have to be affected on a deep emotional, psychological and spiritual level, which suggests that the layered sensations we experience in encounters with heritage – historical connection, aesthetic appreciation, and solastalgia – might motivate people in new ways.”

“A focus on cultural heritage also offers new perspectives on human agency in the face of the climate crisis. This heritage has, after all, been made by humans and so by human hands we should be able to save it. Besides, historic heritage, while transcending the lifespan of one or more human generations, is less intractable to us than the ‘deep time’ associated with the evolution and extinction of coral reefs and other endangered creatures.”

Weststeijn also sketches future scenarios for cities and cultural sites in the following excerpt:

“One can imagine the partially flooded centres of VeniceHoi An or Miami becoming particularly attractive tourist destinations for the duration of their disappearing (in a state of ‘dark euphoria’ described by the futurist Bruce Sterling in 2009), before turning into a diver’s paradise. And perhaps from the perspective of ‘deep time’ the man-made polder landscape was never a feasible project to begin with, and Dutch hydrologists might eventually, with a sigh of relief, surrender their lands back to the sea. Such visions are not necessarily long-term scenarios since, now, even the possibility of handing our heritage to the next generation appears impossible.”

M-o-s-e

The flood protection system that was installed in 2021 to protect Venice from rising sea level effects is named MOSE (for Modulo Sperimentale Elettromeccanico). The name was chosen to allude to the story of Moses dividing the Red Sea to save the judaic tribe in the Jewish and Christian Old Testament. The plans for MOSE were already introduced in the 1980s but it’s completion took amlmost 40 years.

A flooded St Mark’s Square by St Mark’s Basilica in Venice, 15 November 2019. Photo by Filippo Monteforte/AFP/Getty
Venice during highwater. © Andrea Merola/dpa
The M-O-S-E Sea Barrier

In the same manner the sea wall that is currently in planning for Jakarta is named – and shaped – after an ancient myth: The giant bird Garuda.

Both projects show, that the municipalities believed in the role of cultural history in the political communication of climata adaptation measures.

Atlantis by Donovan

Scipio looks back on the Ruins of Karthago

The greek historian Polybius, who lived in the era of the Punic wars around 200 BC reports about the Roman military leader Scipio after his troops conquered and burnt down Carthage:


“Turning round to me at once and grasping my hand Scipio said, ‘A glorious moment, Polybius; but I have a dread foreboding that some day the same doom will be pronounced on my own country.’ It would be difficult to mention an utterance more statesmanlike and more profound. For at the moment of our greatest triumph and of disaster to our enemies to reflect on our own situation and on the possible reversal of circumstances, and generally to bear in mind at the season of success the mutability of Fortune, is like a great and perfect man, a man in short worthy to be remembered.

Scipio, when he looked upon the city as it was utterly perishing and in the last throes of its complete destruction, is said to have shed tears and wept openly for his enemies. After being wrapped in thought for long, and realizing that all cities, nations, and authorities must, like men, meet their doom; that this happened to Ilium, once a prosperous city, to the empires of Assyria, Media, and Persia, the greatest of their time, and to Macedonia itself, the brilliance of which was so recent, either deliberately or the verses escaping him, he said:

A day will come when sacred Troy shall perish,
And Priam and his people shall be slain.

And when Polybius speaking with freedom to him, for he was his teacher, asked him what he meant by the words, they say that without any attempt at concealment he named his own country, for which he feared when he reflected on the fate of all things human.”

From Polybius, Histories, Book 38

Thanks to Holger Sonnabend for the lead.

Saint Guénolé, abbé de Landévennec, sauvant le roi Gradlon lors de la submersion de la ville d’Ys

Stained glass window from 1917 representing “Saint Guénolé, abbé de Landévennec, sauvant le roi Gradlon lors de la submersion de la ville d’Ys” in the Church of Saint-Germain in Kerlaz.

Information about the legend of the sunken kingdom Ys and it’s assumed location.

Ar Roue Gralon ha kear Is

A bretonic folksong about the sinking of the City Ys on the Atlantic Coast of Brittany.
Original Lyrics
French Translation