Ghosts of the tsunami

In his beautifully written account of the 2011 tsunami in Tohoku, northern Japan, and it’s aftermath, Richard L. Parry also describes the role of the cult of ancestory in grievance for those who died in the tsunami. Vacant home addresses for example play a recurring role in how people were dealing with grief and loss. Perry’s account gives an example of societies using old customs and believe systems in sometimes unexpected ways to help them deal with current loss.

The following excpert is from pages 99 – 102 of the 2017 edition of “Ghosts of the Tsunami” by R.L. Parry:

“Haltingly, apologetically, then with increasing fluency, the survivors spoke of the terror of the wave, the pain of bereavement and their fears for the future. They also talked about encounters with the supernatural.


They described sightings of ghostly strangers, friends and neighbours, and dead loved ones. They reported hauntings at home, at work, in offices and public places, on the beaches and in the ruined towns. The experiences ranged from eerie dreams and feelings of vague unease to cases of outright possession.

A young man complained of pressure on his chest at night, as if some creature was straddling him as he slept. A teenage girl spoke of a fearful figure who squatted in her house. A middle-aged man hated to go out in the rain, because of the eyes of the dead, which stared out at him from puddles.

A civil servant in Soma visited a devastated stretch of coast and saw a solitary woman in a scarlet dress far from the nearest road or house, with no means of transport in sight. When he looked for her again, she had disappeared.

A fire station in Tagajo received calls to places where all the houses had been destroyed by the tsunami. The crews went out to the ruins anyway, prayed for the spirits of those who had died— and the ghostly calls ceased.

A taxi in the city of Sendai picked up a sad-faced man who asked to be taken to an address that no long existed. Halfway through the journey, the driver looked into his mirror to see that the rear seat was empty. He drove on anyway, stopped in front of the levelled foundations of a destroyed house and politely opened the door to allow the invisible passenger out at his former home.

At a refugee community in Onagawa, an old neighbour would appear in the living rooms of the temporary houses and sit down for a cup of tea with their startled occupants. No one had the heart to tell her that she was dead; the cushion on which she had sat was wet with seawater.

Such stories came from all over the devastated area. Priests — Christian and Shinto, as well as Buddhist – found themselves called on repeatedly to quell unhappy spirits. A Buddhist monk wrote an article in a learned journal about ‘the ghost problem’, and academics at Tohoku University began to catalogue the stories. In Kyoto, the matter was debated at a scholarly symposium.

“Religious people all argue about whether these are really the spirits of the dead,’ [priest] Kaneta told me. ‘I don’t get into it, because what matters is that people are seeing them, and in these circumstances, after this disaster, it is perfectly natural. So many died, and all at once. At home, at work, at school – the wave came in and they were gone. The dead had no time to prepare themselves. The people left behind had no time to say goodbye. Those who lost their families, and those who died – they have strong feelings of attachment. The dead are attached to the living, and those who have lost them are attached to the dead. It’s inevitable that there are ghosts.’

He said: ‘So many people are having these experiences. It’s impossible to identify who and where they all are. But there are countless such people, and their number is going to increase. And all we do is treat the symptoms.’

When opinion polls put the question ‘How religious are you?’, Japanese rank among the most ungodly people in the world. It took a catastrophe for me to understand how misleading this selfassessment is. It is true that the organised religions, Buddhism and Shinto, have little influence on private or national life, But over the centuries both have been pressed into the service of the true faith of Japan: the cult of the ancestors.

I knew about the household altars, or butsudan, which are still seen in most homes and on which the memorial tablets of dead ancestors — the ihai — are displayed. The butsudan are cabinets of lacquer and gilt, with openwork carvings of flowers and trees; the ihai are upright tablets of black lacquered wood, vertically inscribed in gold. Offerings of flowers, incense, food, fruit and drinks are placed before them; at the summer Festival of the Dead, families light lanterns to welcome home the ancestral spirits. I had taken these picturesque practices to be matters of symbolism and custom, attended to in the same way that people in the West will participate in a Christian funeral without any literal belief in the words of the service. But in Japan spiritual beliefs are regarded less as expressions of faith than as simple common sense, so lightly and casually worn that it is easy to miss them altogether. ‘The dead are not as dead there as they are in our own society,’ wrote the religious scholar Herman Ooms. “It has always made perfect sense in Japan as far back as history goes to treat the dead as more alive than we do… even to the extent that death becomes a variant, not a negation of life.’

At the heart of ancestor worship is a contract. The food, drink, prayers and rituals offered by their descendants gratify the dead, who in turn bestow good fortune on the living. Families vary in how seriously they take these ceremonies, but even for the unobservant, the dead play a continuing part in domestic life. For much of the time, their status is something like that of beloved, deaf and slightly batty old folk who cannot expect to be at the centre of the family, but who are made to feel included on important occasions. Young people who have passed important entrance examinations, got a job or made a good marriage kneel before the butsudan to report their success. Victory or defeat in an important legal case, for example, is shared with the ancestors in the same way.

When grief is raw, the presence of the deceased is overwhelming. In households that had lost children in the tsunami, it became routine, after half an hour of tea and chat, to be asked if I would like to ‘meet’ the dead sons and daughters. I would be led to a shrine covered with framed photographs, with toys, favourite drinks and snacks, letters, drawings and school exercise books.

One mother commissioned carefully photoshopped portraits of her children, showing them as they would have been had they lived – a boy who died in primary school smiling proudly in high-school uniform, an eighteen-year-old girl as she should have looked in kimono at her coming-of-age ceremony. Another decked the altar with make-up and acrylic fingernails that her daughter would have worn if she had lived to become a teenager. Here, every morning, they began the day by talking to their dead children, weeping love and apology, as unselfconsciously as if they were speaking over a long-distance telephone line.”

Artificial Intelligence and false hopes: Asunder

“Asunder is an art project that responds to a growing interest in the application of AI to critical environmental challenges. […] It’s a fictional ‘environmental manager’ that proposes and simulates future alterations to the planet to keep it safely within planetary boundaries, with what are often completely unacceptable or absurd results. In doing so, Asunder questions assumptions of computational neutrality, our increasingly desperate reach for techno-solutionist fixes to planetary challenges, and the broader ideological framing of the environment as a system.” (from the artists’s website)

Found in Tactical Tech’s exhibition.

Modified marine ecosystems

Climate adaptation for coastal cities will require altered relationships to the sea and the marine ecosystem. future coastal city communities will live closer to and closer with the sea and it’s inhabitants. This will most likely require modifications of both, urban and marine landscape and structure. Engineering will not stop above sea level. The question is, how much alteration and optimization is desireable beyond our sheer technical capacity. This collaborative AI-project ask just this question. Check out the project’s web page: YANTO

Found in Tactical Tech’s exhibition.

Tourism and Sunken Cities

In the greek town Epidavros on the Pelopones a sunken villa is marketed as a toursit attraction of some sorts.

Somewehere, down there…

thanks to Tanja Krone for the lead and the travel company!

The new Alexandria skyline

In an effort to protect the city of Alexandria against coastal erosion, the local government plants thousands of concrete tetrapods along the remaining beach. This creates a bizarre, futuristic urban landscpae, unlike anything we know:

The images are from a German TV report from September 4. 2022. Find the video here.

Thanks to Annette Possmann for the lead.

The Sea Wall in the shape of a Bird

Image may contain Outdoors Nature Land Shoreline Water Ocean Sea Scenery Landscape Coast and Aerial View

While Jakarta has serious evacuation plans, there are apparently also plans to build a new and unique sea wall. Quote from an article from 2016:
“The National Capital Integrated Coastal Development consortium will build a new set of barrier islands and a sea wall that will guard the city from waves and storm surges. The extensive project will take the shape of the Garuda, a mythical bird and symbol of Indonesia. While construction is already under way (the first pile was planted in October 2014), KuiperCompagnons, the Dutch firm behind much of the design, estimates that the project will take 30 to 40 years to complete.”

Read the full article here.
And more info here and here:

And this is Garuda:

Quote from wikipedia:
“Garuda is described as the king of the birds and a  kite-like figure. He is shown either in a zoomorphic form (a giant bird with partially open wings) or an anthropomorphic form (a man with wings and some ornithic features). Garuda is generally portrayed as a protector with the power to swiftly travel anywhere, ever vigilant and an enemy of every serpent. Garuda is a part of state insignia of IndiaIndonesia and Thailand. The Indonesian official coat of arms is centered on the Garuda and the national emblem of Indonesia is called Garuda Pancasila.”

Thanks to Johanna Fischer for the lead!

Very Large Floating Structures

To answer the never-tiring desire for more space for residential buildings along the coasts – nearly 50% of the industrialized world now lives within a kilometer of the coast – floating structures are repeatedly discussed in urbanization discourse. So called VLFS, very large floating structures, are a fashionable topic in architectural discourse – see for example the “Mega-Float” by Japanese architects M. Fujikubo and H. Suzuki from 2015 -, but so far no city has actually built one to house it’s residents. There are as far as I know only parking lots built on floating strutures in New York or Goetborg for example.

This image is from a brochure about the Floating Parking Garage in Goetborg

And there are of course accomodation units for employees working on off shore oil platforms. (see: https://en.wikipedia.org/wiki/Accommodation_platform )

As always – the idea of floating habitats is not a new one. The oldest source is – as almost always – Homer’s Odysee. There the hero sails to the island Aeolia, which is floating on open sea in the western Mediteranean. The island and the city on it are home to the god of Winds, Aeolus, thus the name of the island. Today a group of islands near Sicilly is refered to as Aeolian Islands.

Homer does not give away alot about his floating island and how and why it floats. This is the main passage from verse 10 of the text:

“Then to the Aeolian isle we came, where dwelt Aeolus, son of Hippotas, dear to the immortal gods, in a floating island, and all around it is a wall of unbreakable bronze, and the cliff runs up sheer. […] And the house, filled with the savour of feasting, resounds all about even in the outer court by day, and by night again they sleep beside their chaste wives on blankets and on corded bedsteads. To their city, then, and fair palace did we come…”

source: http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0136%3Abook%3D10

Mazu: Taoist Goddess of the Sea

The bronze statue in the center depicts Mazu or Matsu, the chinese sea goddess, who is particularly popular in Taiwan and Chinese communities outside of mainland China. This monument is at Chengshan Peak (成山头 Chéngshāntóu), in the harbur city Weihai on the Chinese east coast. According to wikipedia: “Today, Mazuism is practiced in about 1.500 temples in 26 countries around the world, mostly in the Sinosphere or the overseas Chinese communities such as that of the predominantly Hokkien Philippines.” The first mentions of Mazu are from the 10. Century AD.

world in a water tank

German born and UK based visual artist Mariele Neudecker creates aquarium installations of forests, houses or vessels since the late 1990’s. Her so called “tank works” are three dimensional landscapes that evoque German romanticism, scientific artefacts as well as the threat of climate change. They seem to unite past and future.

Thanks to Ingo Schöningh for the lead.

yonaoshi – the cleansing disaster

In japanese culture, disasters are commonly interpreted as a call and chance for renewal. The then governor of Tokyo Shintaro Ishihara published a statement only two days after the Tsunami of March 2011 calling “the disaster a punishment from heaven because Japanese have become greedy. […] We should avail of this tsunami to wash away this greed. I think this is a divine punishment. ” Shintaro was a controversial figure, an extreme right-wing politician, but also a popular literary author and former film maker. He later apologized for the statement and in 2012 resigned as governor of Tokyo. Still, this concept is quite popular among Japanese who are also very much accustomed to natural disasters. It is called yonaoshi (世直し) which translates as world renewal or great revolution.

Sources from: Christian Rumrich, Sichtbares und Unsichtbares, in: Mensch. Natur. Katastrophe. Von Atlantis bis heute. Mannheim: 2o14